THE WRECKS – INFINITELY ORDINARY
Big Noise Music Group, 2020
Alternative/Indie pop/Power pop
This album showed up in a list of new releases for the week and I instantly recognized the name, but I couldn’t remember where from. Some quick digging revealed that a track from their first EP was in a playlist or something I came across a couple years ago and I added it to one of my own playlists. The track was “My Favorite Liar” and it was some decent pop punk with a bit of garage rock influence. The chorus was catchy and I liked how the song sounded happy but the lyrics were angry at a specific person. I then found out that Infinitely Ordinary is the band’s first full-length. After being reminded that they had left a positive impression, I went into it with some slight anticipation.
Well… let’s just say The Wrecks have made some stylistic changes since that first EP. There are a couple hints of the pop punk I was familiar with, but the majority of what’s here lines up more with radio ready alternative pop. Now, that’s not an inherently bad thing. Some bands like WALK THE MOON can write some damn good and damn catchy songs and I’m not ashamed to admit I enjoy them. But a lot of Infinitely Ordinary just isn’t doing it for me. There are a couple things I do like, so we’ll start with those.
“Out Of Style” is a fun dance rock track that has barely sung verses and big choruses that I think is telling the story of two former lovers that put some geographical distance between themselves and both of them are coping in some unhealthy ways. At first, I didn’t like the verses, especially the second one where the vocalists describes some LED lights he hung up in his room. But it eventually grew on me and it becomes hilarious in a way when you realize this is just a product of his chosen coping mechanisms. Along with that, the hooks in the song are just great. Another track I like to a lesser extent is “This Life I Have” that switches back and forth between light, AJR-esque passages and raw, garage punk like their older material. The lyrics deal with frontman Nick Anderson’s struggles with severe impostor syndrome and the wild musical differences represent how these bouts of depression and self-hatred can hit so suddenly. The only thing about it that really bugs me is how much like AJR some of the melodies sound, otherwise it’s one of the strongest tracks here.
Beyond that, “Feels So Nice” is okay pop rock with some synthpop in the mix, but it starts off with one of the worst lyrics. “You said I look like a Stones song/I said baby I could fuck like one too.” What do either of those statements even mean? It’s almost saved because immediately after this Anderson compares the girl to a Dylan song, but I can’t decide if that’s brilliant or really stupid. What really bugs me about the lyrics are the inconsistent messages all over this album. Normally I’m a little forgiving in this area, but the sequence of these tracks makes the problem worse. The track “Four” describes how Anderson is heartbroken after his girlfriend leaves and he wants her to come home. The song sells it at the end with Anderson’s voice cracking because he’s just so passionate about it. But he also just spent the last two tracks describing how he’s coping with an ended relationship by partying and how another relationship got so stale that he just wants out. Given that, the sincerity of “Four” is a hard sell, no matter how much his voice cracks.
What makes this even worse is the that the song immediately before this, “Fvck Somebody,” (yes, it’s spelled with a v) is all about how he’s become bored in a relationship and wants his girlfriend to mess up somehow so he has an easy way to get out of the relationship. First of all, dude just needs to grow a pair and talk to his girlfriend and just end things if it’s not working for him. I know it’s a hard thing to do and it’ll hurt and it sucks and it’d be nice if it was easy. But he literally says that he’s “gotta get out without it being my fault.” Dude, just break up if you’re unhappy. Second, following this with “Four” doesn’t make me feel bad with you, it makes me wonder if you really care.
The final piece to this confusing puzzle comes in the album closer, the title track, where he describes spending time with a girl and then says that he “could get used to this infinitely ordinary life.” But just a few tracks earlier he was practically begging his girlfriend to cheat on him because the relationship got so boring. So which is it!? And I know, all four of these tracks could be describing four different relationships, but the messaging is so different and in such close proximity in some of them that it can be frustrating. Especially when other songs are set up as coming from Anderson’s personal experiences, so we’re led to believe that these are all reactions to real events, whether they are or not.
The music itself on this album doesn’t really help either. “Four” pulls heavily from the AJR brand of modern indie pop and hints of it show up on “Fvck Somebody” as well. “We All Get Lonely” sounds like a Muse song without the political commentary. The title track pulls from modern pop tropes, and that’s not always a bad thing but this particular case feels really derivative. It also has a melody that reminds me of another song, but it’s by an artist that isn’t super widely known so I’m probably the only person who cares.
I guess what bothers me the most about this album is that we know The Wrecks can do better. Their first two EPs showed a lot of promise. This band had the potential to get some real mainstream traction and be a bright spot in the current landscape of pop rock music. To see them so quickly chase after trends on their first full-length is just disappointing. That being said, we also know they have talent, and it does poke through on a couple tracks. We can hope that they only get better from here.