It’s that time again! Another month has come and gone. As always, I can’t get to everything, so there’s quite a bit of good music that I don’t get to review, especially this month since there were 5 Fridays. You’ll probably notice something a little different about this month’s list. In light of recent and ongoing events, I’ve decided to highlight artists of color. Fortunately, it wasn’t hard to fill up the list as May was also an excellent month for black artists. So, collected below are releases I think you should check out.
BACKXWASH – GOD HAS NOTHING TO DO WITH THIS LEAVE HIM OUT OF IT–Backxwash is a Canadian hip-hop artist who’s style contains elements of industrial hip-hop and horrorcore. These styles pair very well with her lyrics that often deal with evil, magic, and the occult. A lot of the darkness in her lyrics come from her personal experiences, not only as a person of color, but also as a black trans woman. If you like your hip-hop dark, heavy, and noisy, check this out.
DEANTE’ HITCHCOCK – BETTER–This album is actually the first I’ve heard of Deante’ Hitchcock, but apparently this has been a long time coming. Better was preceded by several mixtapes and EPs since 2012. In that time he’s attracted the attention of other big rappers like Wale and J. Cole, even being invited to appear on the latest Revenge of the Dreamers project from J. Cole’s Dreamville. This album very good, showcasing Hitchcock’s skill as a rapper, lyricist, and even a singer, and it has features from JID, 6LACK, and more.
FREDDIE GIBBS/THE ALCHEMIST – ALFREDO–May was just a fantastic month for hip hop. I’ve heard some of the best rap albums so far this year since maybe February. Alfredo is probably the best yet. I’m more familiar with Freddie Gibbs’ work with Madlib, and while Madlib is one of my favorite producers in general, The Alchemist is probably a better match for Gibbs. Something about these beats just brings out the best in Freddie’s flows and attitude. They play off each other so well, matching tones and moods perfectly. Even the features are good with guest verses from rappers like Rick Ross and Tyler, The Creator. It’s really just a total package album, good front to back.
KA – DESCENDANTS OF CAIN–Ka is a Brooklyn based rapper who has a unique style all his own. His raps come across almost conversational, like a poet reciting in a coffee shop rather than a rapper. His lyrics use Biblical imagery and the metaphor of the cursed lineage of Cain, the first murderer, to tell stories of his life growing up on the city blocks of New York. Ka produces the majority of the tracks on this album and the instrumentals have an almost stark feel to them, but they’re not minimalist. You really have to hear it for yourself to understand it.
KOTA THE FRIEND – EVERYTHING–I don’t really know how to categorize this one because there’s clear trap influence on this album, but instead hard hitting beats, the instrumentals feel bright and airy with jazz guitar samples. This is almost… summer rap. Like a trap version of something like Shwayze. These are songs for driving along the beach in a convertible or riding your bike in the middle of the day when school’s out or you’re on vacation. It’s a nice, feel-good kind of album.
MEDHANE – COLD WATER–Something interesting is happening in Brooklyn. Medhane is another rapper from that area that is doing something different in a good way. His raps are abstract and thoughtful, but still somehow direct and forward thinking. He looks forward without forgetting the scars of his past. And the instrumentals on this album use jazz and soul samples in ways I’ve never heard before. Like the Ka album above, you really have to experience this one for yourself.
MOSES SUMNEY – GRÆ–This one isn’t hip hop, and I really don’t know how to categorize it. Sumney is often called a singer-songwriter, but that doesn’t really narrow things down. There are clear soul influences on this album, but this is not a traditional soul album by any stretch. Sumney’s emotional lyrics are only made more powerful by his impassioned vocals, featuring a frequent and distinctive falsetto. The album also features bass playing from Thundercat on a few tracks and production from James Blake on another. It’s a little uneven, but when it’s good, it’s really good.
POLO G – THE GOAT–There’s still a lot I don’t understand about trap rap. I’m trying my darndest, but there’s still some stuff about it that just escapes me. That being said, Polo G is one of the few artists that helps me somewhat understand the appeal, and the praise from other reviewers and critics tells me I’m barking up the right tree. His flows have variety, he doesn’t rely on auto-tune, and his lyrics have considerably more substance than some other artists in the scene.
YOUNG M.A – RED FLU–Yet another rapper from Brooklyn! Seriously, what’s going on over there? Young M.A is another talented rapper from the borough who raps from a particularly unique perspective. Not only is she a woman, but she’s a lesbian. She’s clear in interviews that she doesn’t want her orientation to define her, and it doesn’t have to. Her rapping could easily stand on its own, but her experience still comes through in her lyrics. Female empowerment is a big theme in hip hop these days coming from artists like Megan Thee Stallion and Rico Nasty. Young M.A adds yet another female perspective to the expanding landscape of rap music.